When I first brought this old Kuba Lele blacksmith’s bellows into my Antwerp shop, it did not look like a sculpture waiting for a pedestal. It looked like something that had worked hard for a very long time. Dust still rested deep inside the chambers, the wood smelled faintly of smoke, and the black surface carried the soft sheen that… Read More »The Bellows That Fed the Fire
Welcome To the African Art World. How to collect African Art with an experienced Eye Most people begin collecting African art by asking the wrong questions. They ask about the tribe, the age, the provenance, or the price. Those things certainly matter, but they are not where true connoisseurship begins. The first question should always be: Is this a good… Read More »How to Collect African Art with an Experienced Eye – David Norden
There is an old story I once heard from a collector who spent years traveling through mountain villages between Nepal and Tibet. He told me that certain masks should never be looked at too quickly. “At first,” he said, “they are only wood.” But then, after some time, the face begins to change. One evening, while arranging objects in my… Read More »The Mask That Smiled Back
There are collectors who acquire. And there are those who live with objects for a long time before letting them go. Not long ago, an anthropologist came to see a Dogon figure. He didn’t come alone. He came with his wife, and they spent time with the piece — quietly, without deciding. Nothing happened that day. Which, in hindsight, was… Read More »An Exchange Between Two Ways of Looking
Most people think they understand what “Kuba” means. A tribe. A style. A familiar category. But that’s usually where the misunderstanding begins. What we call the Kuba is not a single people in the usual sense. It is a kingdom — or more precisely, the result of one. Nearly twenty different groups, brought together and held within a structure that… Read More »The Kuba Are Not What You Think
Not everything is easy to sell.I hesitated. I’ve kept this Lobi figure for many years. At first, very simply, because it is big.Eighty-one centimeters high, heavy, not easy to handle. For my in-house expeditions, it was never a convenient object. It always required more space, more care, more effort. But that was not the real reason. There is an elegance… Read More »A Large Encrusted Lobi Figure: Why Some African Ritual Objects Are Not Easy to Sell
At the old border between Benin and Togo, the landscape changes little, but belief changes everything. The line we know today—704 kilometers of straight segments, river bends and coastal lagoons—was not drawn by the Fon priests who worked with spirits. It was the product of 19th-century European treaties between France and Germany, and a precise delimitation in 1912. The boundary… Read More »A Power Vodun Figure from the Dahomean Frontier