There is an old story I once heard from a collector who spent years traveling through mountain villages between Nepal and Tibet. He told me that certain masks should never be looked at too quickly. “At first,” he said, “they are only wood.” But then, after some time, the face begins to change. One evening, while arranging objects in my… Read More »The Mask That Smiled Back
Recently I revisited a fascinating postcard from the Loango coast, dating from around 1910. At first sight, it appears to confirm exactly what many collectors hope to see: African masks and figures photographed “in the field,” offered in an open-air market during the colonial period. For many collectors, such early documentation immediately creates reassurance. The older the publication or photograph,… Read More »African Art Authenticity, Colonial Postcards, and the Problem of “Made for the Market” Objects
This morning, before opening the shop, I placed these two next to each other. Not because they belong to the same tradition. They clearly do not. But sometimes objects begin to speak differently when they share the same space for a while. One is a mask from Zambia, in the Mbunda style. The other, a small Lobi figure from Burkina… Read More »Two African Pieces on the Table
Most people think they understand what “Kuba” means. A tribe. A style. A familiar category. But that’s usually where the misunderstanding begins. What we call the Kuba is not a single people in the usual sense. It is a kingdom — or more precisely, the result of one. Nearly twenty different groups, brought together and held within a structure that… Read More »The Kuba Are Not What You Think
A short tale inspired by the Yoruba tradition of the horse rider — a symbol of leadership, prestige and authority in West African art. Photo collage: Yoruba horseman in the Osun Sacred Grove, Arch of the Flying Tortoise. Landscape photograph by Adolphus Opara. Horseman sculpture photographed by David Norden. A long time ago, when the kingdoms of the Yoruba were… Read More »The Yoruba Horseman: A Legend of the Rider
Not everything is easy to sell.I hesitated. I’ve kept this Lobi figure for many years. At first, very simply, because it is big.Eighty-one centimeters high, heavy, not easy to handle. For my in-house expeditions, it was never a convenient object. It always required more space, more care, more effort. But that was not the real reason. There is an elegance… Read More »A Large Encrusted Lobi Figure: Why Some African Ritual Objects Are Not Easy to Sell
Photo: A fine Suku Mask fom David Norden’s collection. Over the past weeks, several collectors have told me how difficult it is to navigate the world of African masks online.Too many choices, too many claims of “authenticity,” and far too many pieces that were never used in ritual at all. I understand the frustration.When I began 30 years ago, I… Read More »Navigating the World of Authentic African Masks: Lessons From 30 Years in the Field
At the old border between Benin and Togo, the landscape changes little, but belief changes everything. The line we know today—704 kilometers of straight segments, river bends and coastal lagoons—was not drawn by the Fon priests who worked with spirits. It was the product of 19th-century European treaties between France and Germany, and a precise delimitation in 1912. The boundary… Read More »A Power Vodun Figure from the Dahomean Frontier