Bakongo Colon Figure

This early 20th-century Bakongo colonial figure from the Democratic Republic of Congo is a remarkable example of how African artists interpreted and commented on European presence in Africa. These so-called “Colon” figures, created by local sculptors, depict European colonizers in an African sculptural style, blending elements of satire, observation, and artistic adaptation.

A Symbolic Representation of Colonial Authority

Standing 37.5 cm tall, this finely carved figure portrays a white colonial administrator, dressed in a suit, hat, and leaning on a cane, with one foot crossed over the other, resting on the toes. The pose is significant:

• The crossed foot often represents a posture of dominance, a stance frequently associated with colonial figures.
• The foot resting on the toes could symbolize instability or vulnerability, perhaps hinting at the fragile nature of colonial rule.

The Bakongo people, residing in Congo-Brazzaville and the Democratic Republic of Congo, created these sculptures as a way to both document and subtly critique the European presence, using traditional artistic conventions to reinterpret foreign influences.

Authenticity and Provenance

This exceptional piece previously belonged to the renowned collector Pierre Loos, a respected authority on Central African art. His extensive collection has contributed significantly to the study and appreciation of African sculpture.

A Unique Collectible

Colon figures like this are highly sought after for their historical and artistic significance. Whether seen as ethnographic artifacts, satirical expressions, or masterful wood carvings, they offer a unique window into the complex cultural interactions of the colonial period.